I am wavering
between stick-thin
and fuck-it 125.
I am on the border
of a future in statistics,
facing north of a lifetime
in psychosis, and
I tell you, I'm getting better.
My days
are no longer measured in fake sugar
packets, eyes brimming with
caffeine and spite.
No, now I am
laundry baskets and
accordion files, my
ribs lined up neatly in place. you cannot
call me a skeleton now.
I am wavering
between two blurred out lines,
and I think
this is called love.
The notion that the narrator is struggling between these two modes of thinking, that is seeing herself as either stick thin or f--- it 125 I enjoyed as the premise of the narrative. I actually think the third line in its vulgarity interjects an element to this that maybe makes it more about self acceptance. Perhaps this is too revealing about how little I know about women, but I'm assuming that 125 is stick thin weight as well? I kinda figure that since its about bringing her mind into a place where she's able to see her weight as being f---able (to use the verbiage of the poem) so her actual weight is 125 and she's just figuring out how to view that.
The way I read the third line is its trying to use 'f--- it' as a notion of desirability. Perhaps this was an intended added dimension in choosing that phrase, but it seems to suggest that her introspection on how she views herself may have been started due to intimacy problems. As a result she's taking a hard look at herself and when the phrase 'this is called love' hits at the end it does with a double meaning: as obviously indicated by the middle stanzas she finds she's able to love herself, more subtly that resulting correction leads to a restoration of intimacy with her partner.
Short but really strong, very nice bit of writing!
Although, I'd starve to death at 125
Nevermind, I think you knew I would like it.
Really, though, this is fantastic, Becca.
You're fierce, woman. Show me more words.
Now that I've accomplished this one, I'll start writing another very soon-ish. Like today-ish.